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| Designed by Andrey Kudryavtsev, Rodrigo Salas and Franco Hernández, Hatter Halloween is a multiple classification font family. This typeface has twelve styles and was published by Rodrigo Typo. |
Hatter Halloween, is an extension of After, which includes ligatures, Extrude, Swash, Layers and contains entertaining Dingbats for Halloween parties or on horror themes.
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| Designed by Paulo Goode, Quorthon is a blackletter font family. This typeface has fifteen styles and was published by Paulo Goode. |
Quorthon is a collection of blackletter style fonts in 3 distinct voices – Black, Dark, and Grey. Each style has a more contemporary feel than the centuries-old blackletter standard, the capitals in particular were drawn to aid legibility in today’s world rather than to follow tradition. All the fonts contain a number of alternates that will help you embellish your typography – when used subtly, they can add flair to your titles and logo designs.
BLACK is the most severe of the three styles, its lowercase forms were inspired by text I discovered on a marble tomb in a remote countryside church in England. The aggressive barbs and spurs give these fonts an imposing stature, ideal for branding, advertising and logotype, where a forceful message is required.
DARK is a little more subtle, while retaining a barbed style, more contemporary serifs are present. The highly-contrasted, calligraphic glyphs are full of character and subtle nuances that give these fonts a unique personality. Again, these fonts are perfect for branding, advertising and logotype designs… and maybe even a tattoo?
GREY is the softest of all the Quorthon styles, its minimal design and clean, straight lines make it ideal for creating stunning titles and headlines. It evokes the past with its blackletter pedigree, yet is imbued with a modern architectural influence.
Key Features:
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| Designed by Brian J. Bonislawsky, Jim Lyles and John W. Zimmerman, Artisinal is an art deco font published by Stiggy & Sands. |
Historical Art Deco typestyle finds new legs as a Revival
Artisinal, not to be confused with the term artisanal, is our revival of the Art Deco typeface known as Cubist Bold, by John W. Zimmerman for Barnhardt Bros. & Spindler in 1929, breathes new life into a classic. The original metal cast typeface was designed without a lowercase, as well as some wedge serif capitals that made for not always perfect pairings.
We’ve created a lowercase that blends well with the original design to give the typeface more usability. We’ve also created a fully sans version of the capitals as the default set, and moved the original wedge serif capital styles to a contextual alternates feature. We’ve also created a few stylistic alternates for lowercase characters like the u and y and their accented styles.
See the 5th graphic for a comprehensive character map preview.
Opentype features include:
- Full set of Inferiors and Superiors for limitless fractions.
- A Standard lining figure set.
- A collection of basic f Ligatures.
- Stylistic Alternates for variations of several characters such as u and y.
- Contextual Alternates for the original wedge variations of capitals that will mix in where appropriate.
Approx. 448 Character Glyph Set: Croft comes with a glyphset that includes standard & punctuation, international language support, and additional features
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| Designed by Phil Bracco, Ridiculous PB is a display font published by Pink Broccoli. |
Ridiculous is a complete whack-a-doodle sans-serif font inspired by the titling sequence from the 1964 film, “Yours, Mine, and Ours”. Fun and full of personality, it is a lettering style that is completely insane. With ligatures enabled, the font will auto-substitute between cases for an even more random appearance.
With a pseudo unicase character set, and offbeat letter weighting, Ridiculous is pure lunacy to typeset with, with ligature combinations that are quirky surprises. You’ll find this font will live up to it’s name.
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| Designed by David Kerkhoff, Skeletal Wish is a grunge font family. This typeface has two styles and was published by Hanoded. |
Skeletal Wish is a line from one of my favourite Opeth songs: Heir Apparent. The lyrics are pretty veiled and bleak, describing the destruction and downfall of something that once was beautiful. I am worried about what is happening with our planet: the Amazon forest is burning down, our oceans are full of plastic and the earth is warming up. I had to think of this when I created Skeletal Wish and I thought the title was perfect.
Skeletal Wish is a heavy and scary halloween font. It comes with blobs, splatter, gore and whatever else you may need for your designs. It won’t help save the Amazon rainforest, nor will it stop the flow of marine plastic, but you could use it to create a protest sign.
After all, the change begins with you.
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| Designed by Alejandro Paul, Clockmaker is an art nouveau font family. This typeface has eight styles and was published by Sudtipos. |
Sudtipos is proud to announce the release of Clockmaker, an 8-weight family that takes initial inspiration from typography around the turn of the twentieth century. Clockmaker takes aesthetic references from Victorian, Art Nouveau and Art Deco advertising and typography, taking special influence from John F. Cummings’ all-caps – and never digitized – type design Elandkay.
Clockmaker is a robust multi-weight family that includes an array of ligatures as well as alternate characters and support for all latin languages. The design process began with developing and modernizing the uppercase letterforms, followed by designing the lowercase and additional weights. Creating a diverse and playful set of uppercase ligatures was an almost endlessly enjoyable task; they are one of Clockmaker’s most charming features. Clockmaker is an impeccable choice for designs requiring a vintage flair such as a luxury liquor labels, restaurant identities, lavish hotels and many other applications where elegance and grace are needed.
In addition to its historical references, Clockmaker is an homage to my grandfather who was a master craftsman, repairing antique clocks and fine watches with great skill and mathematical precision. Watching him work was fascinating and it has been a joy to remember those quiet and curious moments from my childhood while designing this font.
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| Designed by Jakob Fischer, Festabe is a display sans font family. This typeface has two styles and was published by Pizzadude.dk. |
It’s time for a party! A party with monkeys, or a party AS monkeys! :)
The danish term “Festabe” is a partyanimal, and definitely in a positive way!
And that’s the spirit of this font! It has that happy attitude, that could boost your designs in a happy and positive way.
Besides legibility, the font is superlegible, even at very small sizes. But try looking at the letters at a LARGE size, and you will notice the smoothness of each letter!
To ensure the letters don’t get too alike, I’ve added several (slightly) different versions of each letter. In fact, every letter has 5 different versions, and these automatically cycles as you type!
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| Designed by Robbie de Villiers, Kular Regular is a sans serif font published by Wilton Foundry. |
Kular looks like a monospaced font but isn’t. It has tabular figures though!
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| Designed by David Kerkhoff, Umbrella Man is a brush display font family. This typeface has two styles and was published by Hanoded. |
Some time ago, I read an article about the Kennedy assassination. In that article, a person dubbed ‘the umbrella man’ played a rather bizarre role: apparently an innocent bystander with an opened umbrella was thought to be in cahoots with Kennedy’s killer. I immediately thought that the name ‘Umbrella Man’ was a good title for a horror movie, so when I created this rough brush font, I named it Umbrella Man.
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| Designed by Sergio RamÃrez, Brutman is a novelty and sans serif font family. This typeface has twelve styles and was published by Sardiez. |
The purpose of Brutman was to create a typeface that reimagined the incise style for the 21st century.
Its roots emerge from the humanistic style, adopting the structures of the roman capitals for the upright version and some features of the chancery style for the italics. On the other side, its contours are forged by the frankness of the brutalist style, which can be seen in the asymmetrical flared terminations, the sharp shoulders and the diagonal cuts that emulate the stress of the broad nib pen.
The result is a typeface that combines a sleek character with a historical flair. It conveys a feeling of modernity and sophistication when it comes to shine in big sizes, but on the functional size has sharp shapes that make it perform very well on small ones.
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| Thephir is a script font family. This typeface has twelve styles and was published by NREY. |
Introducing a variable script - Thephir.
Family includes 10 styles + variable font with 2 axis.
You can use it as a logo, badge, insignia, packaging, headline, poster, apparel, greeting card, and wedding invitation.
It have supporting for many european languages and perfect cyrillic!
I hope you enjoy it!
Thanks!
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| Designed by Bartek Nowak, Arogant is a display serif and serif font family. This typeface has four styles and was published by GRIN3 (Nowak). |
Arogant is a hand-drawn, serif, vintage font family. Each font features over 440 Glyphs, 5 Stylistic Sets, Standard and Discretionary Ligatures.
The flow and vintage style works perfectly on invitations, blog headers, branding, art quote,
posters, book cover and so much more!
Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.
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| Designed by Emil Bertell, Rainmaker Script is a script font family. This typeface has two styles and was published by Fenotype. |
I started Rainmaker Script by hand sketching a huge amount of letters to find the right tone. After having enough I picked the characters that I liked and begun composing a font out of them. With this method I ended up with the Rainmaker Script - an elegant signature style connected script with natural variation in the rhythm.
Rainmaker Script is great for branding, headlines and packaging. It’s equipped with (automatic) Contextual Alternates that keep the flow natural and variable. There’s also Swash, Stylistic and Titling Alternates, and even more alternates can be found for some characters from the Glyph Palette. From the Glyph Palette you’ll also find a handful of ending swooshes and ornamental strokes that can be combined with the font.
All the extras in Rainmaker Script are PUA encoded so you can access them in most graphic design software.
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| Designed by David Kerkhoff, Gobsmacked is a brush display font family. This typeface has two styles and was published by Hanoded. |
Gobsmacked is a rather new English word. It has been around since 1959 and was used mostly around Liverpool at that time. The word means: ’astounded’, ‘flabbergasted’ (another nice word!) or ‘speechless’. Gob could be of French or Scottish Gaelic origin and means ‘mouth’.
Gobsmacked font was created using a brush and black gouache. The result is a very eroded, very legible and quite unique brush font. I have created alternates for the lower case letters, plus two double letter ligatures (oo and ss).
Use it for any design that needs a little brushwork; I am sure the result will leave you gobsmacked!
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| Designed by Emil Bertell, Aequitas is a serif font family. This typeface has three styles and was published by Fenotype. |
Aequitas is an expressive Roman Serif with wide characters and three weights.
Aequitas is equipped with Swash and Stylistic Alternates and it’s great for fashion, branding, packaging or editorial use.
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| Designed by Alan Meeks, Winterfell is a serif font family. This typeface has three styles and was published by Alan Meeks Collection. |
It is difficult to define the classification of Winterfell.
The caps are definitely Roman however the lowercase is italic and slightly calligraphic.
Because of its old style look I decided to describe it as modern medieval.
This design reminded me of Game of Thrones hence the name Winterfell
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| Designed by Kemie Guaida, Bookbag is a sans serif font family. This typeface has fourteen styles and was published by Pixilate. |
Bookbag is a font for teaching kids to read and write. It comes in 4 weights, from light to extrabold, and has dotted and lined versions for students to practice.
Many glyphs have alternate versions, that can be accessed either through OpenType stylistic alternates, or using the Alt versions of the font.
Bookbag has a very wide language support, with most latin languages supported.
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| Designed by David Kerkhoff, China Syndrome is a brush display font family. This typeface has two styles and was published by Hanoded. |
A really, really long time ago, I watched a movie called ‘The China Syndrome’ (starring Jane Fonda, Jack Lemon and Michael Douglas). It was one of those disaster movies that were quite popular at the time (I also recall airports, alien viruses and skyscraper fires). Anyway, when I finished this font, I suddenly (and quite inexplicably) remembered that movie, so I named this font after it.
China Syndrome is a legible brush font - ideal for your product packaging and halloween posters. Maybe use it for a metal album cover, a book about nuclear disasters or, dunno, the logo of your really strong coffee brand.
Whatever. Just enjoy!
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| Designed by Adam Ladd, Magdelin is a sans serif font family. This typeface has forty styles and was published by Adam Ladd. |
Magdelin is a minimal yet warm gothic sans serif typeface consisting of 40 fonts with normal and alternate families. At its core, the design is a gothic sans having simple forms and low contrast, yet it takes some qualities from the humanist class with its calligraphy or cursive-inspired details found in the italics and the bowl shapes of characters like b and d. The weights range from thin to black.
The small x-height, longer ascenders and descenders, and semi-condensed proportions give it a bit of a vintage or classic feel while still appearing contemporary and modern in current typographic landscapes. The clean design allows it to be a useful and versatile workhorse family great for branding, packaging, editorial, books, websites, digital, and more.
With the alternate family (Magdelin Alt) comes even more calligraphic details by having certain strokes terminate with an angle so it reflects a broad-nib pen drawn at an angle. This increases the overall warmth in appearance.
Magdelin has many OpenType features:
• Stylistic alternates
• Discretionary ligatures
• Case-sensitive punctuation for All Caps
• Tabular figures
• Fractions, numerators, denominators
• Superscript, subscript
• Slashed zero
With over 600 glyphs, this font has extensive Latin language support (100+ Latin languages) for Western, Central, and South Eastern European.
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| Designed by Plamen Motev, Stan Partalev and Ventsisalv Dzhokov, Panton Rust is a display, display sans and script font family. This typeface has seventy-two styles and was published by Fontfabric. |
The long-awaited Rust Bundle addition to our Panton type family has arrived, featuring the headliner Panton Rust and its trusted partner Panton Script Rust. Start your engines and get ready for 72 fonts, grouped into five weights ranging from SemiBold to Heavy, and including multiple Base combinations with different Shadows and Grunge Textures.
All of the above is also a part of the accompanying Panton Rust Script, whose natural flow is further emphasized with specifically adjusted Contextual Alternates. The list of OpenType features wouldn’t be complete without localizations, figures, fractions, superiors and inferiors, numerators and denominators, as well as tabular numerals for Panton Rust.
The Rust Bundle includes Extended Latin and Cyrillic coverage, providing support for more than 130 languages. This handcrafted package was created to bring about authentic and original vintage type, making it especially suitable for any design that speaks of craftsmanship, a sublime human touch, and a mature signature with undeniable flavor.
In Rust we trust!
Features:
• Handcrafted, textured fonts with a variety of styles. Including textures, shadows and inlines;
• 72 styles in total, including 42 fonts for Panton Rust and 30 fonts for Panton Script Rust;
• 5 weights from SemiBold to Heavy;
• Extended Latin and Cyrillic coverage with support for more than 130 languages;
• Broad set of contextual alternates and ligatures for Panton Script Rust
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
