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| Designed by Md. Shohail Bhuiyan, Change Is Good is a hand display and hand drawn font published by Seemly Fonts. |
Change Is Good is a lovely handwritten font that embodies authenticity and charm in every letter. It is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.
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| Designed by Wayne Thompson, Lurline is a display font published by Australian Type Foundry. |
With deliberately tight kerning, Lurline wears its retro vibe as a badge of honour. Lurline features extreme reverse contrast, and intentionally pushes legibility boundaries. Suitable for anything requiring a vibrant tone of voice.
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| Designed by Hendry Juanda, Rowan is a display serif font published by Letterhend Studio. |
Rowan is a sophisticated serif with unique letterform. This typeface has been made carefully to make sure its premium quality and luxury feel. The letterform makes this typeface unique and stands out rather than the regular serif font. Very suitable for logo, headline, tittle, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
numbers and punctuation
multilingual
ligatures
alternates
PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/
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| Designed by Hendry Juanda, Rumble Born is a brush display, hand display and script font published by Letterhend Studio. |
Rumble Born is a retro bold script which will bring you back to 60s feel but still with fun and playful look. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
uppercase & lowercase
numbers and punctuation
multilingual
ligatures
alternates
swashes
PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/
Email us to letterhend@gmail.com if you need something! Happy Designing!
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| Designed by Jeremy Dooley, Mandrel Didone is a serif font family. This typeface has fifty-four styles and was published by Insigne Design. |
A new family has sprung from the world of insigne. Mandrel Didone is his name. The face is well-liked by those with whom it seeks an audience because of its courtly demeanor and exquisite look. Mandrel Didone conducts itself beautifully in front of each set of eyes with a confident attitude, never wavering or tripping in its polished step.
But, despite it’s gentility, this exquisite family is not weak in the face of adversity. Mandrel Didone is a powerful and conspicuous typeface that has towering x-heights, great contrast, confident bends, and sharp serifs. It is well-crafted for high-impact resistance. It uses its sharp serif ends deftly, cutting through opponents’ clumsy clutter in the battle for the reader’s attention.
This noble family consists of nine weights and their matching italics, ranging from Thin to Black. Mandrel Didone also comes with a plethora of OpenType options to let you embellish your text. The family’s 500 glyphs and support for more than 70 languages are accompanied with ligatures, old-style figures, and stylistic sets.
Raise your glass in honor of the new Mandrel Didone! This champion, with its powerful serifs and great contrast, is ready to take on your challenge in many tests to come.
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| Designed by David Kerkhoff, Matrijs is a hand display and stencil font family. This typeface has two styles and was published by Hanoded. |
Matrijs is the Dutch word for mold. It comes from the Latin word for mother or womb and is somewhat similar to the English word Matrix.
Matrijs is a handmade Garamond which can be used for a wide range of projects.
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| Designed by JJW van der Ham, VanderHand is a brush display, hand drawn and script font published by JOEBOB Graphics. |
The ‘VanderHand’ font is a friendly and easy to use handwritten font. It is so loaded with ligatures it could easily pass for actual handwriting.
The font was created with a felt-tip brush pen and so there are natural thick and thin parts in the characters. All writing was done upright with tightly fit characters. As a result this font has a unique ‘instant logo’ quality. But you should really try this out for yourself.
O, and the font was written by Jeroen van der Ham.
It’s his handwriting. That’s why it’s called VanderHand.
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| Arque Pro is a display sans font family. This typeface has seven styles and was published by Foxtype. |
Arque Display is a Unique Modern Elegant Typeface with Web-fonts. It’s a very versatile font that works great in large and small sizes. Arque Pro would perfect for branding, logos, headlines, Captions. or simply as a stylish text overlay to any background image. Strong capitals and a smooth, open lowercase are effective in a variety of applications. It’s shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile and easy to read.
TTF, OTF, WOFF, WOFF2, EOT Included. Free updates and feature additions. 7 Weights Included.
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| Designed by Jeff Levine, Dancing Girl JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The poster for the 1930 film “Show Girl in Hollywood” had the title hand lettered in a squared Art Deco style with some angled cross strokes. This became the basis for Dancing Girl JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Electric Newspaper JNL is a display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”.
The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions.
A blank space to place between words is available on both the solid bar and broken bar keystrokes.
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| Designed by Jeff Levine, Municipal Pool JNL is a display and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A photo of the now closed [circa-1953] Lowell Municipal Pool (at 1601 N. 28th St.) in Boise, Idaho shows the words “Municipal Pool” formed into the cement of the entrance to the above-ground swimming facility.
Both the lettering and building entrance designs harken back to the Art Deco era and the sign features stencil-like characters.
This inspired a typeface aptly named Municipal Pool JNL, and is available in both regular and oblique versions.
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| Designed by Jeff Levine, Nouveau Meadow JNL is an art nouveau and display serif font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A poster for the publication “The Quartier Latin – A Magazine Devoted to the Arts” featured the magazine’s name in a light Art Nouveau serif style. The Quartier Latin was published between 1896 and 1899 by the American Art Association of Paris.
This is now available as Nouveau Meadow JNL in both regular and oblique versions.
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| Designed by Jeff Levine, On Your Mark JNL is a display sans and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Images of ‘lost’ or forgotten signs from the past are on a number of sites all over the web.
One in particular partially revealed a vintage sign for “J. Yormark Shoes” behind a barbershop sign at 15 – 8th Avenue in New York City. The sign remained until 2014.
The stencil effect made by the formation of the stained glass letters inspired On Your Mark JNL, which is available in both regular and oblique versions. The font’s name is a play on the shoe vendor’s name… “Yormark”.
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| Designed by Jeff Levine, Privilege Sign JNL is a display sans and retro font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The above-the-store signage for many newspaper stands, soda shops, candy stores, luncheonettes and pharmacies of the 1950s and early 1960s were what was referred to as “privilege signs” provided by one of the major cola brands.
Consisting of the brand’s emblems on the left and right, the remainder of the sign would carry the desired message of the storekeeper (such as “Candy – Soda – Newspapers”) in prismatic, embossed metal letters.
Inspired by these vintage signs, Privilege Sign JNL recreates the condensed sans serif lettering style in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.
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| Designed by Nicky Laatz, Skulduggery Hand is a hand display and hand drawn font published by Nicky Laatz. |
Say hello to Skulduggery :)
A mischievous & playful little all caps font. Great for greetings, children’s books, fun packaging ad branding and so much more.
Altering all caps are in the upper and lower keystrokes, alternate between them in your wording to get a more natural look.
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| Designed by Jeff Levine, Privilege Sign Two JNL is a display sans and retro font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands.
Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters.
Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.
This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from
the 1950s and early 1960s.
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| Designed by Jeff Levine, Silent Film JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Built in 1928 in Wichita, Kansas, the Uptown Theater started out as a movie house, but today still exists as a dinner theater.
Online images of this vintage venue’s perpendicular wall sign show the theater’s name in an Art Nouveau influenced angular style with rounded terminals – similar to that of pen drawn sign lettering of the era.
Adapted as a digital type font, Silent Film JNL is available in both regular and oblique versions.
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| Designed by Hendry Juanda, Stano Sans is a hand display and hand drawn font family. This typeface has two styles and was published by Letterhend Studio. |
Stano is a strong and bold sans serif with a touch of vintage look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
uppercase & lowercase
numbers and punctuation
multilingual
alternates / swashes and ligatures
PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/
Email us to letterhend@gmail.com if you need something! Happy Designing!
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| Designed by Jeff Levine, Travel Plans JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1930s travel poster from American Airlines had the airline’s name in a classic thick-and-thin Art Deco design of hand lettering. With the addition of angular spurs, some of the characters become semi-serif in nature.
This type style is now available as Travel Plans JNL, in both regular and oblique versions.
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| Designed by Jeff Levine, Village Hall JNL is a retro and western font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1918 poster issued during World War I from the YWCA encouraged women to pitch in to the war effort by joining the “United War Work Campaign”.
The Art Nouveau hand lettering of that poster was a slight throwback to the “Western” or “Victorian” style of typography because of the characters having split serifs.
This is now available as Village Hall JNL, in both regular and oblique versions.
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| Designed by Rahmat Hidayat, Azelia is a hand drawn, modern calligraphy and script font published by RtCreative. |
Azelia, a work that is purely handwritten, has natural characteristics. It’s perfect for invitations, signatures, blogs, social media, business cards, product brands.
Azelia is a simple font that has Stylistic standards, Stylistic Alternatives, Ligature, Swash, and includes uppercase and lowercase letters, numbers and punctuation.
FILE INCLUDES
Azelia (OpenType, PUA)
Azelia (TrueType, PUA)
ssed by using OpenType smart programs like Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.
special greetings for all, hopefully we are always successful with work.
Price: $5
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| Designed by Robert Schenk, Bihext is a display and novelty font family. This typeface has two styles and was published by Ingrimayne Type. |
The letters of Bihext fit into the trapezoids formed by bisecting hexagons from the top corner to the bottom corner. Because these trapezoids have two orientations, there are two sets of characters and the typeface was designed assuming that the user would want to alternate these two character sets. The alternating of characters is done automatically with the OpenType feature of contextual alternatives (calt) in applications that support it. The typeface is monospaced with very tightly letter spacing. If the letter spacing seems too tight, consider alternating colors to make the individual letters stand out as an alternative to loosening the letter spacing. Almost certainly the user will need to adjust line spacing if more than one line of text is used. The family includes an outline style that can be used in a layer above the filled style. A decorative, display face, Bihext is too difficult to read to be used for long text.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
