 |
| Designed by Jeff Levine, Counter Service JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The hand lettered name “Chickland” from a 1958 restaurant menu cover was actually a throwback to the Art Deco style with its condensed thick and thin sans serif design.
With just a few available letters to work with, it has been turned into Counter Service JNL; available in both regular and oblique versions.
 |
| Designed by Jeff Levine, Dance Time JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The words “Benny Goodman & His Orchestra” on an appearance poster for the band from 1936 were rendered in a beautiful semi-script style of hand lettering.
This unusual Art Deco design is now available as Dance Time JNL in both regular and oblique versions.
 |
| Designed by Jeff Levine, Fair Play JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Inspired by hand lettering on a 1939 World’s Fair Poster, Fair Play JNL is a bold, condensed design with spurred serifs and some flared characters… and is available in both regular and oblique versions.
 |
| Designed by Jeff Levine, Federal Agent JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
In the 1959 premiere season of “The Untouchables” (based on the book by Eliot Ness and Oscar Fraley) the opening title jumps off of the cover of the book and stretches out into tall, extremely condensed lettering.
This inspired the type font Federal Agent JNL, which is available in both regular and oblique versions.
 |
| Designed by Jeff Levine, Filmland JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A hand lettered, dual line sans serif type style was used for the title of “Filmland” – a 1931 movie fan magazine from India.
This inspired both the digital typeface’s design and name. Filmland JNL is available in both regular and oblique versions.
 |
| Designed by Jeff Levine, Morning Edition JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The front page headline of the April 6, 1917 edition of the Bemidji Pioneer [from Bemidji, Minnesota] says in extrabold letters: “State of War is Declared”. The subtext underneath reads: “President Signs Resolution 1:13 P.M., Passed by House 3 O’Clock this Morning”. Thus, the United States formally entered into World War I.
However… that subtext was set in a sans serif type face which was a perfect addition to the numerous newspaper-inspired type revivals offered by Jeff Levine Fonts.
Morning Edition JNL is available in both regular and oblique versions.
 |
| Designed by Jeff Levine, Movie Matinee JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1926 trade ad for the silent comedy “The Nut-Cracker” starring Edward Everett Horton has the film’s title hand lettered in a decorative bold sans serif design complete with highlight lines and accent dots.
This festive type face is now available digitally as Movie Matinee JNL in both regular and oblique versions.
 |
| Designed by Jeff Levine, Show Card Elite JNL is an art nouveau and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
One example in the 1919 instructional book “One Hundred Alphabets for the Show Card Writer” was for an elegant sans serif with a subtle Art Nouveau style to the letter forms.
This is now available digitally as Show Card Elite JNL in both regular and oblique versions.
 |
| Designed by Jeff Levine, Show Card Pen JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews offered a number of examples of then-modern lettering styles for sign painters and show card writers.
A bold display alphabet made with a round lettering nib is now available as Show Card Pen JNL, in both regular and oblique versions.
 |
| Designed by Jeff Levine, Special Edition JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The Teapot Dome scandal was a 1920s bribery scandal involving Secretary of the Interior Albert Bacon Fall. Fall leased Navy petroleum reserves at Teapot Dome in Wyoming [along with some California reserves] at low rates with no competitive bidding.
The San Francisco Examiner for Feb. 20, 1924 ran the two line headline “U.S. Senator Named as Oil Stock Speculator; Whitney to Face Quiz Today on Slush Fund”.
The headline was set in a condensed, slightly squared sans serif typeface. This is now available as Special Edition JNL in both regular and oblique versions.
 |
| Designed by Jeff Levine, Special Edition JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The Teapot Dome scandal was a 1920s bribery scandal involving Secretary of the Interior Albert Bacon Fall. Fall leased Navy petroleum reserves at Teapot Dome in Wyoming [along with some California reserves] at low rates with no competitive bidding.
The San Francisco Examiner for Feb. 20, 1924 ran the two line headline “U.S. Senator Named as Oil Stock Speculator; Whitney to Face Quiz Today on Slush Fund”.
The headline was set in a condensed, slightly squared sans serif typeface. This is now available as Special Edition JNL in both regular and oblique versions.
 |
| Designed by Anita Jürgeleit, Headlines Unicase is a display sans font family. This typeface has forty-two styles and was published by Anita Jürgeleit. |
Here comes the great and happy news: The “Headlines” font family has been expanded to include the coolest UNICASE family! Yes, you heard right: UNICASE! Wohou!
Three alternative variants with seven weights plus italics: A total of 42 styles!
This is your biggest and most exciting headline font family you have ever worked with. All alternate characters can be used safely without any special software. It just works everywhere: From Text Edit to Canva — even on your mobile phone or ebook reader — you can access all of the alternative characters as you just pick the right font style.
Let your headline adventure begin! NOW!
www.typethis.studio
 |
| Designed by Anita Jürgeleit, Headlines Unicase is a display sans font family. This typeface has forty-two styles and was published by Anita Jürgeleit. |
Here comes the great and happy news: The “Headlines” font family has been expanded to include the coolest UNICASE family! Yes, you heard right: UNICASE! Wohou!
Three alternative variants with seven weights plus italics: A total of 42 styles!
This is your biggest and most exciting headline font family you have ever worked with. All alternate characters can be used safely without any special software. It just works everywhere: From Text Edit to Canva — even on your mobile phone or ebook reader — you can access all of the alternative characters as you just pick the right font style.
Let your headline adventure begin! NOW!
www.typethis.studio
 |
| Designed by Pedro Mascarenhas, Mirror Display is a display sans font published by MOM. |
Mirror Display is based on the condensed sans. Developed to ‘double view’ to give readers the same feeling they have when looking to a work of art they don’t understand at first glance.
 |
| Flexible Variable is a display sans font family. This typeface has eighteen styles and was published by Art Grootfontein. |
Inspired by late 19th century’s gothic typefaces from broadsides, Flexible uses the latest font technology to allow designers to play with each letter height and width easily.
This versatile uppercase typeface is available in 8 widths and 8 heights, and as a variable font which gives you unlimited font possibilities!
By using the variable version you only need to install one font file instead of the entire family and you take full advantage of the tremendous scope for design.
Flexible was also developed with animation in mind to create amazing kinetic typography videos.
Please have a look at this video to see animation examples.
This family is a perfect choice for standout headlines, displays, packaging, flyers, logos, and works well in both print and digital environments like sophisticated web design or kinetic typography.
The complete family pack includes the variable font.
Language support :
Afrikaans, Albanian, Azerbaijani, Basque, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Malay, Norwegian Bokmål, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu
 |
| Designed by Morice Kastoun, Larrikin is a display sans and script font family. This typeface has twelve styles and was published by HeadFirst. |
Larrikin is a san serif display typeface that is based on hand carved wood-cut letterpress characters.
The typeface is available in 6 weights in both rough & solid variations.
 |
| Designed by Jeff Levine, So Unusual JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The hand lettered credits for the 1942 film comedy “I Married a Witch” were so unusual (with their mix of rounded and flat terminals and varying character shapes) that the only logical name for a digital revival would be So Unusual JNL… which is available in both regular and oblique versions.
 |
| Designed by Robert Schenk, ZoidicFun is a display sans font family. This typeface has ten styles and was published by Ingrimayne Type. |
The letters of ZoidicFun are like sheep: they do not like being alone but want to be part of a flock. Many of the individual letters of ZoidicFun look strange and unshapely in isolation because they are designed to fit into a pattern with other letters. That pattern is formed by alternating asymmetric trapezoids, with trapezoids that are wide at the top alternating with trapezoids that are wide at the bottom. The magic of the OpenType feature of contextual alternatives (calt) automatically alternates them. The fonts in the family are largely monospaced and have very tight letter spacing. (If for some reason one wants to use only one set of the letters, the letters will overlap unless one widens character spacing.) (If D and O are too similar, use the alternative versions of D.)
The family has five weights and each weight has an italics formed by flipping the trapezoidal pattern over a vertical line. Like other alternating-character typeface families from IngrimayneType, this distinctive and visually-arresting family can be used for titles or advertising. (For another but very different typeface based on alternating trapezoids, see PoultrySign.)
 |
| Aleesya Rose is a display sans font family. This typeface has fourteen styles and was published by Brenners Template. |
Aleesya Rose is a Stylish Font Family to bring a touch of elegance to any design.
The clear contrast blends into all styles - even thin styles - and the strong individuality by weight delights the designer’s imagination.
14 styles including 7 weights and italics are essential for designers to complete more detailed and sophisticated typography.
This style has 426 glyphs each, check the glyph window in your app.
The upright standing of the vertical stems stably supports the center of gravity of the entire font.
And the thin strokes used as finishing touches will convey an elegant personality to the layout.
The ligatures are designed to appeal to the reader with their beautiful tenderness, and they are:
Ba, Be, Ha, He, LO, Le, Lo, Re, Ro, ck, de, do, ee, ff, fi, oo, rr, th.
In particular, we recommend that you choose this font family to achieve the following purposes: Editorial design, Personal branding, Branding business, logo design, portfolio, and any special design.
Thanks.
 |
| Designed by Jeff Levine, Family Deco JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Family Deco JNL was inspired by the bold Art Deco hand lettering of the movie credits for the 1936 Laurel and Hardy comedy “Our Relations”, and is available in both regular and oblique versions.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
