Showing posts with label sans serif. Show all posts
Showing posts with label sans serif. Show all posts

Saturday, August 28, 2021

[lxnrk] Download Greycliff Hebrew CF fonts from Connary Fagen Type Design

Greycliff Hebrew CF
Designed by Connary Fagen, Greycliff Hebrew CF is a sans serif font family. This typeface has nine styles and was published by Connary Fagen Type Design.


Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.



Greycliff Hebrew CF


Friday, August 27, 2021

[wehzo] Download Greycliff Hebrew CF fonts from Connary Fagen Type Design

Greycliff Hebrew CF
Designed by Connary Fagen, Greycliff Hebrew CF is a sans serif font family. This typeface has nine styles and was published by Connary Fagen Type Design.


Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.



Greycliff Hebrew CF


Thursday, August 26, 2021

[nqyad] Download Greycliff Hebrew CF fonts from Connary Fagen Type Design

Greycliff Hebrew CF
Designed by Connary Fagen, Greycliff Hebrew CF is a sans serif font family. This typeface has nine styles and was published by Connary Fagen Type Design.


Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.



Greycliff Hebrew CF


Thursday, August 19, 2021

[rpfsb] Download Cynosure fonts from Device

Cynosure
Designed by Rian Hughes, Cynosure is a sans serif font family. This typeface has fourteen styles and was published by Device.


Cynosure is a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces.

The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required.

Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.



Cynosure


Tuesday, August 17, 2021

[ooabx] Download Cynosure fonts from Device

Cynosure
Designed by Rian Hughes, Cynosure is a sans serif font family. This typeface has fourteen styles and was published by Device.


Cynosure is a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces.

The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required.

Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.



Cynosure


Sunday, August 15, 2021

[wawzf] Download East fonts from Tarallo Design

East
Designed by Donald Tarallo, East is a sans serif font family. This typeface has thirteen styles and was published by Tarallo Design.


East is a sans serif condensed font. It has six weights between Light and Extra Bold. A variable font is also available.

Clarity and versatility make East a good choice for app design, branding, film titles, information, packages, posters, and publications. It is simple, friendly, and confident.

Its condensed design makes it easy to fit text in tight spaces. The light weight has excellent clarity for easy reading, even at small sizes. The Extra Bold weight will capture attention as a headline or large body text.

The name «East» is intended to evoke optimism, movement, travel, and the sunrise. It is timeless and current with a subtle nostalgia—inspired by the charming one-off sans serifs on early Jazz albums, film titles, newspapers, and road signage.

East has many OpenType features (please see slides). It offers eight stylistic sets. These can quickly alter large amounts of text. It has a set for a one-story “a” for simpler paragraph textures, and a set for hooked letters (f, j, l, r, t, y) for a warmer and playful personality. A seriffed uppercase I and 1 along with a slashed zero offer better legibility when needed. There are also sets for a curly German eszett, cap-aligned punctuation for Spanish, and a raised colon. Other OpenType alternates include; three different uppercase German eszetts, a tapered exclamation point, an alternate 4, standard ligatures, discretionary ligatures, a tapered asterisk, and a set of bullets (round, square, and diamond).

It also contains vertically stacked pre-built fractions. Diagonally built alternatives are offered for the common fractions (one quarter, one half, and three quarters, percent, per thousand).

It will support western and central European languages as well as other Latin-based written languages (check for your language). There are some Greek math-related glyphs and math symbols beyond the common ones.

Read on if you are not familiar with variable fonts.

East is also available as a variable font. If you purchase the font family a variable font is included. It can also be purchased alone. If you want to try it, install the file “East-variable.ttf” first. See how it works and if you do not like it, remove it and install the standard “.otf” files.

What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, benefitting both web and software performance.

Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.



East


Saturday, August 14, 2021

[kejaz] Download East fonts from Tarallo Design

East
Designed by Donald Tarallo, East is a sans serif font family. This typeface has thirteen styles and was published by Tarallo Design.


East is a sans serif condensed font. It has six weights between Light and Extra Bold. A variable font is also available.

Clarity and versatility make East a good choice for app design, branding, film titles, information, packages, posters, and publications. It is simple, friendly, and confident.

Its condensed design makes it easy to fit text in tight spaces. The light weight has excellent clarity for easy reading, even at small sizes. The Extra Bold weight will capture attention as a headline or large body text.

The name «East» is intended to evoke optimism, movement, travel, and the sunrise. It is timeless and current with a subtle nostalgia—inspired by the charming one-off sans serifs on early Jazz albums, film titles, newspapers, and road signage.

East has many OpenType features (please see slides). It offers eight stylistic sets. These can quickly alter large amounts of text. It has a set for a one-story “a” for simpler paragraph textures, and a set for hooked letters (f, j, l, r, t, y) for a warmer and playful personality. A seriffed uppercase I and 1 along with a slashed zero offer better legibility when needed. There are also sets for a curly German eszett, cap-aligned punctuation for Spanish, and a raised colon. Other OpenType alternates include; three different uppercase German eszetts, a tapered exclamation point, an alternate 4, standard ligatures, discretionary ligatures, a tapered asterisk, and a set of bullets (round, square, and diamond).

It also contains vertically stacked pre-built fractions. Diagonally built alternatives are offered for the common fractions (one quarter, one half, and three quarters, percent, per thousand).

It will support western and central European languages as well as other Latin-based written languages (check for your language). There are some Greek math-related glyphs and math symbols beyond the common ones.

Read on if you are not familiar with variable fonts.

East is also available as a variable font. If you purchase the font family a variable font is included. It can also be purchased alone. If you want to try it, install the file “East-variable.ttf” first. See how it works and if you do not like it, remove it and install the standard “.otf” files.

What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, benefitting both web and software performance.

Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.



East


Friday, August 13, 2021

[gqhvl] Download East fonts from Tarallo Design

East
Designed by Donald Tarallo, East is a sans serif font family. This typeface has thirteen styles and was published by Tarallo Design.


East is a sans serif condensed font. It has six weights between Light and Extra Bold. A variable font is also available.

Clarity and versatility make East a good choice for app design, branding, film titles, information, packages, posters, and publications. It is simple, friendly, and confident.

Its condensed design makes it easy to fit text in tight spaces. The light weight has excellent clarity for easy reading, even at small sizes. The Extra Bold weight will capture attention as a headline or large body text.

The name «East» is intended to evoke optimism, movement, travel, and the sunrise. It is timeless and current with a subtle nostalgia—inspired by the charming one-off sans serifs on early Jazz albums, film titles, newspapers, and road signage.

East has many OpenType features (please see slides). It offers eight stylistic sets. These can quickly alter large amounts of text. It has a set for a one-story “a” for simpler paragraph textures, and a set for hooked letters (f, j, l, r, t, y) for a warmer and playful personality. A seriffed uppercase I and 1 along with a slashed zero offer better legibility when needed. There are also sets for a curly German eszett, cap-aligned punctuation for Spanish, and a raised colon. Other OpenType alternates include; three different uppercase German eszetts, a tapered exclamation point, an alternate 4, standard ligatures, discretionary ligatures, a tapered asterisk, and a set of bullets (round, square, and diamond).

It also contains vertically stacked pre-built fractions. Diagonally built alternatives are offered for the common fractions (one quarter, one half, and three quarters, percent, per thousand).

It will support western and central European languages as well as other Latin-based written languages (check for your language). There are some Greek math-related glyphs and math symbols beyond the common ones.

Read on if you are not familiar with variable fonts.

East is also available as a variable font. If you purchase the font family a variable font is included. It can also be purchased alone. If you want to try it, install the file “East-variable.ttf” first. See how it works and if you do not like it, remove it and install the standard “.otf” files.

What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, benefitting both web and software performance.

Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.



East


Monday, August 9, 2021

[zwljg] Download JetJane fonts from Ingrimayne Type

JetJane
Designed by Robert Schenk, JetJane is a sans serif font family. This typeface has thirty-six styles and was published by Ingrimayne Type.


JetJane is a geometric sans-serif family. The family has two widths and each width has nine weights. Each of these 18 fonts comes with an accompanying italics version, giving the family a total of 36 members.
JetJane, like other geometric sans faces, is plain, unadorned, and highly legible. It is derived from JetJaneMono, a monospaced sans-serif face. This development is unusual because one expects the monospaced variants to be created after the proportional variant, if a monospaced variant is even produced. This development history results in some distinctive differences between JetJane and two other geometric sans faces from IngrimayneType, AndrewAndreas and Yassitf.



JetJane


Thursday, August 5, 2021

[izwvi] Download Banda Nova fonts from Typedepot

Banda Nova
Designed by Alexander Nedelev, Banda Nova is a sans serif font family. This typeface has fourteen styles and was published by Typedepot.


Hold on to your hats, there’s a new orchestra in town - the Banda Nova!

Banda Nova is a crowd pleaser, feeling equally at home on the retail shelf as well as on the cover of your favorite magazine. The 7 weights included in the package offer a wide variety of styles, with delicate and elegantly thin weights morphing into cute, bulbous giants sure to bring a smile to anyone’s face. This versatility makes Banda suitable for virtually any design project, including logos, headlines, covers, packaging and more.

 

We took the time to reimagine Banda, removing traces of our youthful naivety and expanding on everything that made it so good in the first place.

 

Our team is proud to welcome back one of our earliest typefaces in a refreshed and much-improved rendition/adaptation, now featuring full Cyrillic support and almost twice the number of original characters. Are you ready to take center stage again?

 

 



Banda Nova


Saturday, July 31, 2021

[pwtym] Download Bartosh fonts from JPFonts

Bartosh
Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts.


Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work.
Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind.
In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal.
For all fonts there are matching italics in a well-developed set of 677 characters. In addition, it is possible to change the digits and currency characters from proportional to tabular or OldStyle via the OpenType feature, and small caps are also available in all fonts.

Volker Schnebel, June 2021



Bartosh


Thursday, July 29, 2021

[ztfkj] Download Bartosh fonts from JPFonts

Bartosh
Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts.


Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work.
Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind.
In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal.
For all fonts there are matching italics in a well-developed set of 677 characters. In addition, it is possible to change the digits and currency characters from proportional to tabular or OldStyle via the OpenType feature, and small caps are also available in all fonts.

Volker Schnebel, June 2021



Bartosh


Wednesday, July 28, 2021

[vrzzq] Download Bartosh fonts from JPFonts

Bartosh
Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts.


Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work.
Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind.
In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal.
For all fonts there are matching italics in a well-developed set of 677 characters. In addition, it is possible to change the digits and currency characters from proportional to tabular or OldStyle via the OpenType feature, and small caps are also available in all fonts.

Volker Schnebel, June 2021



Bartosh


Tuesday, July 27, 2021

[cdafo] Download Bartosh fonts from JPFonts

Bartosh
Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts.


Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work.
Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind.
In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal.
For all fonts there are matching italics in a well-developed set of 677 characters. In addition, it is possible to change the digits and currency characters from proportional to tabular or OldStyle via the OpenType feature, and small caps are also available in all fonts.

Volker Schnebel, June 2021



Bartosh


Monday, July 26, 2021

[sqtvf] Download Bartosh fonts from JPFonts

Bartosh
Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts.


Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work.
Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind.
In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal.
For all fonts there are matching italics in a well-developed set of 677 characters. In addition, it is possible to change the digits and currency characters from proportional to tabular or OldStyle via the OpenType feature, and small caps are also available in all fonts.

Volker Schnebel, June 2021



Bartosh


[kbboh] Download jp DIN Vario fonts from JPFonts

jp DIN Vario
Designed by Volker Schnebel, jp DIN Vario is a sans serif font published by JPFonts.


DIN Vario (multi) variable font infinitely adjustable in 3 axes: from thin to black: from Compressed to Expanded Italic Angle: from 0 to 15°
The fact that there are finally user programs that support variable fonts and thus offer the user the possibility to make fine adjustments in line thickness and width without having to deform the characters unnecessarily, immediately thrilled me as a font designer. You can use this technique in different ways. Either they are used to achieve only marginal deviations between small and large font sizes, for example, or, as is also possible in DIN Vario, to cover a wide spectrum between thin and black, narrow and wide and in a third axis even a stepless italic angle between 0 and 15°. This task places special demands on the designer and not every type face is equally suitable for this, because shapes must be designed at the respective extremes, which provide a correct result in every possible intermediate interpolation. It was a particular concern to me that the italic angle should also be infinitely adjustable, because how many times have one thought: why exactly 10°? What about 9° or 12°? This can only works with a few fonts with high quality and without loss. DIN Vario, however, is suitable for its robust design, really perfect for this new technology. In order to be able to react additionally to individual requirements, it is possible to change the form of the “a” and “g” from double-storey to single-storey and vice versa by setting the corresponding style-set (under OpenType features) not only in the italics, but also in all fonts.



jp DIN Vario


Sunday, July 25, 2021

[thecl] Download Bartosh fonts from JPFonts

Bartosh
Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts.


Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work.
Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind.
In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal.
For all fonts there are matching italics in a well-developed set of 677 characters. In addition, it is possible to change the digits and currency characters from proportional to tabular or OldStyle via the OpenType feature, and small caps are also available in all fonts.

Volker Schnebel, June 2021



Bartosh


[tyufa] Download jp DIN Vario fonts from JPFonts

jp DIN Vario
Designed by Volker Schnebel, jp DIN Vario is a sans serif font published by JPFonts.


DIN Vario (multi) variable font infinitely adjustable in 3 axes: from thin to black: from Compressed to Expanded Italic Angle: from 0 to 15°
The fact that there are finally user programs that support variable fonts and thus offer the user the possibility to make fine adjustments in line thickness and width without having to deform the characters unnecessarily, immediately thrilled me as a font designer. You can use this technique in different ways. Either they are used to achieve only marginal deviations between small and large font sizes, for example, or, as is also possible in DIN Vario, to cover a wide spectrum between thin and black, narrow and wide and in a third axis even a stepless italic angle between 0 and 15°. This task places special demands on the designer and not every type face is equally suitable for this, because shapes must be designed at the respective extremes, which provide a correct result in every possible intermediate interpolation. It was a particular concern to me that the italic angle should also be infinitely adjustable, because how many times have one thought: why exactly 10°? What about 9° or 12°? This can only works with a few fonts with high quality and without loss. DIN Vario, however, is suitable for its robust design, really perfect for this new technology. In order to be able to react additionally to individual requirements, it is possible to change the form of the “a” and “g” from double-storey to single-storey and vice versa by setting the corresponding style-set (under OpenType features) not only in the italics, but also in all fonts.



jp DIN Vario


Saturday, July 24, 2021

[zvqgq] Download Bartosh fonts from JPFonts

Bartosh
Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts.


Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work.
Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind.
In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal.
For all fonts there are matching italics in a well-developed set of 677 characters. In addition, it is possible to change the digits and currency characters from proportional to tabular or OldStyle via the OpenType feature, and small caps are also available in all fonts.

Volker Schnebel, June 2021



Bartosh